C.W. Post Campus Brookville, New York 11548

Interactive Multimedia Arts Masters Program

IMA 505-1

Course Description

IMA 505 Multimedia History, Theory and Criticism

This class will present a historical and critical context within which the field of multimedia and interactivity can be studied. It will develop ways of analyzing the relationship of new interactive work to the rich history of multimedia art forms. Subjects to be introduced will include photography, cinema, radio, television, computers and the Internet, as well as study of the impact of new technologies on the field of cultural studies.

Instructional Procedures

Lectures, demonstrations, and instruction.

Critiques and group discussions.

Criteria outline for papers – three in total.

Mid Term and Final exam

Assignments – Past, Present and Future

A minimum of three papers (one being an extensive final paper) will be assigned. Two papers will be done individually and consist of a major event that has reformed or reshaped the world of interactive media. One final paper can be a group assignment. Group should not be any larger than three people. Each paper will start with a written outline inclusive of objectives and will address specific criteria and contain factual documented information properly annotated.

Paper 1 – Past

Pick an item or individual from the past and do research on it. Then find out how it is used today. Then do more research on how it can be or will be used in the future.

The emphasis of this paper is the Past.

Paper 2 – Present

Pick an item or individual from the present and do research on it. Then find out where it started. Then do more research on how it is being used today.

The emphasis of this paper is the Present.

Paper 3 – Future

Pick an item or individual that is in development and do research on it. Then find out where it came from in the past. Then do more research on how it is being used today.

The emphasis of this paper is the Future.

Example: If an educational or technological development is selected students will be asked to analyze the effect this development had on the world, marketplace and subsequent watershed effects of this development. Paper must contain footnotes and bibliography (style to be discussed).

All assignments must also start with outlines and adequate flowcharting. Subsequent stages of writing and development must be signed off on by instructor.

Evaluation

Final grade will be based on class participation, assigned reading, student progress, tests and evaluation of papers.

More than three absences will result in a failing grade.

Students will need to spend at least three hours per week in the lab (outside of class time) to complete these projects.

Late projects will either not be accepted or will result in a lowered grade. In addition, there will be tutorial assignments worked on in class and a high probability of surprise quizzes. Finally, all students should maintain notes on class lectures, demonstrations and instruction.  Class attendance is essential.

Required Reading and Quizzes

on enterFrame – Patrick Aievoli/Whittier Publications/2008

Suggested Reading List

The World is Flat – Thomas Friedman/Farrar, Straus, and Giroux 2005

Being Digital ~ Nicholas Negroponte / Hardcover / 1995

I Sing the Body Electronic : A Year With Microsoft on the Multimedia Frontier  ~ Fred Moody / Paperback / 1996

Telecosm ~George Gilder

Periodical articles – TBA

Sample topics to be covered

History of Communication

Cave walls – Trajan Column – Hieroglyphics

Codex – Books – Illuminated Manuscripts – Book of Kells

Renaissance Advancements  DaVinci

19th century Technologists

Mayerbridge – Moving Images

Edison Moving Images

Telegraph – Telephone

Enigma Encryption

First Computing

Early IBM – Punch Cards

Association for Computing Machinery

Computer Museum Boston

Introduction of Personal Computers

Storage Devices – Laser Disc to Orb’s

mHz to Gigabytes

PDA’s to Internet Phones

Organic RAM

BioTechnology Implants

What’s Next?

Weekly Lesson Plan

Class 1:         Introductions, administrative stuff, reading syllabus,

discussion of what “multimedia” means, with definitions and

derivations.

Class 2:         A history of different media: text, sound, recording,

communications technology, video, audio and film.

Class 3:         History of television, broadcasting, and as much as

possible of early computer history.

Class 4:         First Quiz

Handing in proposals and reviewing outlines for first paper.

Class viewing of “Triumph of the Nerds”

Class 5:         First paper due

The sixties and psychedelia, avant-garde music, performance art that led

up to modern computer history.

Class 6:         Guest speaker.

Handing in proposals and reviewing outlines for second paper.

Class 7:         Paper 2 Due

Class 8:         Internet History and Significance.

Second paper due

Class 9:         Discussion of the confluence of factors necessary for

modern “multimedia” to occur.

The beginnings of modern multimedia.

Class 10:       Second Quiz on material covered to date.

Viewing of “Pirates of Silicon Valley”

Class 11:       Handing in proposals and reviewing outlines for third paper.

Patrick Aievoli – guest speaker. History of Archival Media.

Class 12:       Third paper due

“Outside the Box”  presentation

Class 13:       Guest Speaker

Class 14:       Final Review

IMA 505 Lesson Plan

Class One: Introductions, administrative stuff, reading syllabus,

discussion of what “multimedia” means, with definitions and

derivations.

Class Two: A history of different media: text, sound, computing,

communications technology, film.

Handing in outlines for first 7page paper.

Class Three: History of television, broadcasting, and as much as

possible of early computer history.

Test on material covered to date.

Class Four: Class viewing of “Triumph of the Nerds”

Handing in first 7 page paper.

Class Five: Modern computer history and the last installment of

“Triumph of the Nerds”

Handing in outlines for second 7 page paper.

Class Six: The sixties and psychedelic, avant-garde music, performance art.

Guest speaker. Performance Art – i.e., Dada – Hugo Ball to Laurie Anderson

Class Seven: Computer and Internet History and Significance.

Handing in second 7 page paper.

Class Eight: Mid Term on material covered to date.

“Pirates of Silicon Alley”

Handing in outlines for third 7 page paper.

Class Nine: Discussion of the confluence of factors necessary for

modern “multimedia” to occur.  The beginnings of modern multimedia.

Class Ten: Discussion of Digital Video and Digital Audio

Guest speaker. History of the Digital Video i.e. Naim June Paik

Handing in third 7 page paper.

Class Eleven: Discussion of Archival Media and Distribution advancements – Web, Internet.

Guest speaker. History of the Archival Media i.e. CD-ROM.

Class Twelve: Spring break

Class Thirteen: Discussion of Future Technologies – Internet 2 – Bandwidth – ATM

Class Fourteen: Discussion of Future Technologies con’t. – Internet 2 – Bandwidth – ATM

Guest speaker. Future Technologies – Information Architecture

Class Fifteen: Review of course

Information Architecture

Jakob Nielsen

http://www.webreference.com/new/011011.html

http://www.useit.com/about/nographics.html

http://www.digital-web.com/interviews/interview_2002-11.shtml

Usability and Information

http://www.websitetips.com/design/usability.shtml

People of the Web

http://www.w3.org/People.html

http://www.unc.edu/depts/jomc/academics/dri/pioneers2a.html

Art & Design

daVinci and the Internet

http://www.wired.com/news/culture/0,1284,57401,00.html

Josef Muller Brockman

http://www.papress.com/books/1568980620.html

International Typographic Style

http://webpages.marshall.edu/~bruggemann1/international_typographic_style1.htm

Visual Design Timeline

http://www.rit.edu/~rrrfad/timel1.html

Seven Deadly Sins of Web Design

http://wp.netscape.com/computing/webbuilding/studio/feature19980729-1.html

The Grid

http://216.239.33.104/search?q=cache:DP-36Vwak8EJ:www.utexas.edu/coc/journalism/SOURCE/J336/handouts/ho22gr1s.pdf++%22Swiss+Design%22+%2B+%22de+Stijl%22&hl=en&ie=UTF-8

http://www.press.uchicago.edu/Misc/Chicago/791173.html

http://dev1.epsb.edmonton.ab.ca/math14_Jim/math7/strand2/2102.htm

http://www.poynter.org/dg.lts/id.47/aid.37529/column.htm

http://www.utexas.edu/coc/journalism/SOURCE/J395smF0/readings/luptotx1.html

http://www.hitl.washington.edu/people/dace/portfoli/thesis/in-prog/schem/schmdia1.html

http://www.snap-dragon.com/robert_hughes.htm

David Carson

http://www.davidcarsondesign.com

http://www.kramberger-uran.com/dcworkshop02/interview.php

Roger Black

http://www.businessweek.com/cgi-bin/ebiz/ebiz_frame.pl?url=/ebiz/9905/em0512.htm

http://www.newyorkmetro.com/nymetro/news/media/columns/medialife/1588/

http://www.medialifemagazine.com/news2001/feb01/feb05/1_mon/news3monday.html

http://www.adobe.com/web/features/rblack/main.html

http://www.linezine.com/3.1/features/rbbmtlzli.htm

Animation

History of Animation

http://www-viz.tamu.edu/courses/viza615/97spring/pjames/history/main.html

Winsor McCay

http://www.wikipedia.org/wiki/Winsor_McCay

Max Fleischer

http://www.bfi.org.uk/sightandsound/archive/innovators/fleischer.html

Flash

http://www.macromedia.com/macromedia/events/john_gay/page02.html

Director

http://www.lingoworkshop.com/articles/article2.asp

Chronology of Animation

http://www.public.iastate.edu/~rllew/chronst.html

The Future of User Interface Design

http://216.239.41.104/search?q=cache:utr6HNs0fTEJ:www.biermans.com/interface/computer.PDF+%22history+of+Interface+Design%22&hl=en&ie=UTF-8

Interactive and Multimedia Arts

Early Days

F. T. Marinetti

http://www.todayinliterature.com/biography/f.t.marinetti.asp

Morton Heilig

http://www.ipo.tue.nl/homepages/mrauterb/presentations/HCI-history/sld060.htm

Laurie Anderson

http://www4.hmc.edu:8001/humanities/mus127s/Puppet.html

Ed Emshwiller
http://emsh.calarts.edu/emshwiller.html

Alan Kaprow
http://creativetechnology.salford.ac.uk/fuchs/modules/input_output/Happening/happening_kaprow.htm

Billy Kluver

http://www.asci.org/BellLabs/kluver.html

http://www.findarticles.com/cf_dls/m1248/6_90/87023016/p1/article.jhtml

Robert Rauschenberg

Merce Cunningham

John Cage

Roy Ascott

Myron Krueger

Philip Glass

Robert Wilson

Nam June Paik

Bill Viola

Lynn Hershman

Peter Gabriel

http://www4.hmc.edu:8001/humanities/mus127s/gabriel00.html

http://is.gseis.ucla.edu/impact/w95/HTML/cdrom/martha.cdrom.html

New Net Artists

Mark Napier

Lisa Jevbratt

John Maeda

Benjamin Fry

Digital Video

Early History

Motion Picture Technology

http://memory.loc.gov/ammem/edhtml/edmvhist.html

http://inventors.about.com/gi/dynamic/offsite.htm?site=http://www.acmi.net.au/AIC/MOVIE%5FHIST%5FMOMI.html

http://www.filmsite.org/filmh.html

http://history.acusd.edu/gen/recording/notes.html#cylinder

http://et.sdsu.edu/sphares/videowebpage/history.htm

Early Video Technology

http://208.55.137.252/periodicals.html

VHS v. Beta

http://web.bryant.edu/~ehu/h364proj/sprg_98/chase/front.htm

http://www.tvhandbook.com/History/History_recording.htm

Programming

http://www.geocities.com/SiliconValley/Peaks/3938/history.htm

http://www.cs.iastate.edu/~leavens/ComS541Fall97/hw-pages/history/

http://www.an.psu.edu/ojj/courses/ist-240/reports/spring2001/fa-cb-bc-kf/historyindex.html

History of the Internet and Distribution Vehicles

History of the WWW

http://www.w3.org/History.html

Interactive CD-Rom’s

http://www.disc-masters.com.au/interact.htm

http://www.zdnet.com/zdtv/callforhelp/projects/story/0,3650,2186431,00.html

http://www.sony.com/SCA/press/march.27.1998.html

http://www.sony.com/SCA/press/jan.5.1998.html

DVD

Early history of the DVD

http://members.spree.com/sip/playpal/history.htm

http://www.pioneeraus.com.au/dvdrecording/overview/history/#top

http://www.wired4music.com/DVD.htm#a

http://www.scit.wlv.ac.uk/~c9811533/HISTORY.HTM

DVD In General

http://members.spree.com/sip/playpal/general.htm